Friday Afternoon Poem Rhyme Scheme and Analysis
Rhyme Scheme: AB CDEDEFE GHGHIJIJ KLKKGMGM EEEEAEA N KOIKIK KPKQGKG RGRKAKA ESESQTQT EK QUQU EQEQKK KVKVGWG QK KESE AAAAA A EEEEKAK KKKKGQGQ EDEDEA| To William Morris Pierson | A |
| B | |
| - | |
| Of the wealth of facts and fancies | C |
| That our memories may recall | D |
| The old school day romances | E |
| Are the dearest after all | D |
| When some sweet thought revises | E |
| The half forgotten tune | F |
| That opened 'Exercises' | E |
| On 'Friday Afternoon ' | - |
| - | |
| We seem to hear the clicking | G |
| Of the pencil and the pen | H |
| And the solemn ceaseless ticking | G |
| Of the timepiece ticking then | H |
| And we note the watchful master | I |
| As he waves the warning rod | J |
| With our own heart beating faster | I |
| Than the boy's who threw the wad | J |
| - | |
| Some little hand uplifted | K |
| And the creaking of a shoe | L |
| A problem left unsifted | K |
| For the teacher's hand to do | K |
| The murmured hum of learning | G |
| And the flutter of a book | M |
| The smell of something burning | G |
| And the school's inquiring look | M |
| - | |
| The bashful boy in blushes | E |
| And the girl with glancing eyes | E |
| Who hides her smiles and hushes | E |
| The laugh about to rise | E |
| Then with a quick invention | A |
| Assumes a serious face | E |
| To meet the words 'Attention | A |
| Every scholar in his place ' | - |
| - | |
| The opening song page | N |
| Ah dear old 'Golden Wreath ' | - |
| You willed your sweets in plenty | K |
| And some who look beneath | O |
| The leaves of Time will linger | I |
| And loving tears will start | K |
| As Fancy trails her finger | I |
| O'er the index of the heart | K |
| - | |
| 'Good News from Home' We hear it | K |
| Welling tremulous yet clear | P |
| And holy as the spirit | K |
| Of the song we used to hear | Q |
| 'Good news for me' A throbbing | G |
| And an aching melody | K |
| 'Has come across the' sobbing | G |
| Yea and salty 'dark blue sea ' | - |
| - | |
| Or the paean 'Scotland's burning ' | - |
| With its mighty surge and swell | R |
| Of chorus still returning | G |
| To its universal yell | R |
| Till we're almost glad to drop to | K |
| Something sad and full of pain | A |
| And 'Skip verse three ' and stop too | K |
| Ere our hearts are broke again | A |
| - | |
| Then 'the big girls'' compositions | E |
| With their doubt and hope and glow | S |
| Of heart and face conditions | E |
| Of 'the big boys' even so | S |
| When themes of 'Spring ' and 'Summer' | Q |
| And of 'Fall ' and 'Winter time' | T |
| Droop our heads and hold us dumber | Q |
| Than the sleigh bell's fancied chime | T |
| - | |
| Elocutionary science | E |
| Still in changeless infancy | K |
| With its 'Cataline's Defiance ' | - |
| And 'The Banner of the Free' | Q |
| Or lured from Grandma's attic | U |
| A ramshackle 'rocker' there | Q |
| Adds a skreek of the dramatic | U |
| To the poet's 'Old Arm Chair ' | - |
| - | |
| Or the 'Speech of Logan' shifts us | E |
| From the pathos to the fire | Q |
| And Tell with Gessler lifts us | E |
| Many noble notches higher | Q |
| Till a youngster far from sunny | K |
| With sad eyes of watery blue | K |
| Winds up with something 'funny ' | - |
| Like 'Cock a doodle do ' | - |
| - | |
| Then a dialogue selected | K |
| For its realistic worth | V |
| The Cruel Boy detected | K |
| With a turtle turned to earth | V |
| Back downward and in pleading | G |
| The Good Boy strangely gay | W |
| At such a sad proceeding | G |
| Says 'Turn him over pray ' | - |
| - | |
| So the exercises taper | Q |
| Through gradations of delight | K |
| To the reading of 'The Paper ' | - |
| Which is entertaining quite | K |
| For it goes ahead and mentions | E |
| 'If a certain Mr O | S |
| Has serious intentions | E |
| That he ought to tell her so ' | - |
| - | |
| It also 'Asks permission | A |
| To intimate to 'John' | A |
| The dubious condition | A |
| Of the ground he's standing on' | A |
| And dropping the suggestion | A |
| To 'mind what he's about ' | - |
| It stuns him with the question | A |
| 'Does his mother know he's out ' | - |
| - | |
| And among the contributions | E |
| To this 'Academic Press' | E |
| Are 'Versified Effusions' | E |
| By 'Our lady editress' | E |
| Which fact is proudly stated | K |
| By the CHIEF of the concern | A |
| 'Though the verse communicated | K |
| Bears the pen name 'Fanny Fern ' ' | - |
| - | |
| - | |
| When all has been recited | K |
| And the teacher's bell is heard | K |
| And visitors invited | K |
| Have dropped a kindly word | K |
| A hush of holy feeling | G |
| Falls down upon us there | Q |
| As though the day were kneeling | G |
| With the twilight for the prayer | Q |
| - | |
| - | |
| Midst the wealth of facts and fancies | E |
| That our memories may recall | D |
| Thus the old school day romances | E |
| Are the dearest after all | D |
| When some sweet thought revises | E |
| The half forgotten tune | A |
| That opened 'Exercises ' | - |
| On 'Friday Afternoon ' | - |
James Whitcomb Riley
(1)
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About Friday Afternoon
Friday Afternoon is a poem by James Whitcomb Riley. This page includes the poem text, poet information, related topics, comments, and similar poems.
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