Friday Afternoon Poem Rhyme Scheme and Analysis
Rhyme Scheme: AB CDEDEFE GHGHIJIJ KLKKGMGM EEEEAEA N KOIKIK KPKQGKG RGRKAKA ESESQTQT EK QUQU EQEQKK KVKVGWG QK KESE AAAAA A EEEEKAK KKKKGQGQ EDEDEATo William Morris Pierson | A |
B | |
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Of the wealth of facts and fancies | C |
That our memories may recall | D |
The old school day romances | E |
Are the dearest after all | D |
When some sweet thought revises | E |
The half forgotten tune | F |
That opened 'Exercises' | E |
On 'Friday Afternoon ' | - |
- | |
We seem to hear the clicking | G |
Of the pencil and the pen | H |
And the solemn ceaseless ticking | G |
Of the timepiece ticking then | H |
And we note the watchful master | I |
As he waves the warning rod | J |
With our own heart beating faster | I |
Than the boy's who threw the wad | J |
- | |
Some little hand uplifted | K |
And the creaking of a shoe | L |
A problem left unsifted | K |
For the teacher's hand to do | K |
The murmured hum of learning | G |
And the flutter of a book | M |
The smell of something burning | G |
And the school's inquiring look | M |
- | |
The bashful boy in blushes | E |
And the girl with glancing eyes | E |
Who hides her smiles and hushes | E |
The laugh about to rise | E |
Then with a quick invention | A |
Assumes a serious face | E |
To meet the words 'Attention | A |
Every scholar in his place ' | - |
- | |
The opening song page | N |
Ah dear old 'Golden Wreath ' | - |
You willed your sweets in plenty | K |
And some who look beneath | O |
The leaves of Time will linger | I |
And loving tears will start | K |
As Fancy trails her finger | I |
O'er the index of the heart | K |
- | |
'Good News from Home' We hear it | K |
Welling tremulous yet clear | P |
And holy as the spirit | K |
Of the song we used to hear | Q |
'Good news for me' A throbbing | G |
And an aching melody | K |
'Has come across the' sobbing | G |
Yea and salty 'dark blue sea ' | - |
- | |
Or the paean 'Scotland's burning ' | - |
With its mighty surge and swell | R |
Of chorus still returning | G |
To its universal yell | R |
Till we're almost glad to drop to | K |
Something sad and full of pain | A |
And 'Skip verse three ' and stop too | K |
Ere our hearts are broke again | A |
- | |
Then 'the big girls'' compositions | E |
With their doubt and hope and glow | S |
Of heart and face conditions | E |
Of 'the big boys' even so | S |
When themes of 'Spring ' and 'Summer' | Q |
And of 'Fall ' and 'Winter time' | T |
Droop our heads and hold us dumber | Q |
Than the sleigh bell's fancied chime | T |
- | |
Elocutionary science | E |
Still in changeless infancy | K |
With its 'Cataline's Defiance ' | - |
And 'The Banner of the Free' | Q |
Or lured from Grandma's attic | U |
A ramshackle 'rocker' there | Q |
Adds a skreek of the dramatic | U |
To the poet's 'Old Arm Chair ' | - |
- | |
Or the 'Speech of Logan' shifts us | E |
From the pathos to the fire | Q |
And Tell with Gessler lifts us | E |
Many noble notches higher | Q |
Till a youngster far from sunny | K |
With sad eyes of watery blue | K |
Winds up with something 'funny ' | - |
Like 'Cock a doodle do ' | - |
- | |
Then a dialogue selected | K |
For its realistic worth | V |
The Cruel Boy detected | K |
With a turtle turned to earth | V |
Back downward and in pleading | G |
The Good Boy strangely gay | W |
At such a sad proceeding | G |
Says 'Turn him over pray ' | - |
- | |
So the exercises taper | Q |
Through gradations of delight | K |
To the reading of 'The Paper ' | - |
Which is entertaining quite | K |
For it goes ahead and mentions | E |
'If a certain Mr O | S |
Has serious intentions | E |
That he ought to tell her so ' | - |
- | |
It also 'Asks permission | A |
To intimate to 'John' | A |
The dubious condition | A |
Of the ground he's standing on' | A |
And dropping the suggestion | A |
To 'mind what he's about ' | - |
It stuns him with the question | A |
'Does his mother know he's out ' | - |
- | |
And among the contributions | E |
To this 'Academic Press' | E |
Are 'Versified Effusions' | E |
By 'Our lady editress' | E |
Which fact is proudly stated | K |
By the CHIEF of the concern | A |
'Though the verse communicated | K |
Bears the pen name 'Fanny Fern ' ' | - |
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When all has been recited | K |
And the teacher's bell is heard | K |
And visitors invited | K |
Have dropped a kindly word | K |
A hush of holy feeling | G |
Falls down upon us there | Q |
As though the day were kneeling | G |
With the twilight for the prayer | Q |
- | |
- | |
Midst the wealth of facts and fancies | E |
That our memories may recall | D |
Thus the old school day romances | E |
Are the dearest after all | D |
When some sweet thought revises | E |
The half forgotten tune | A |
That opened 'Exercises ' | - |
On 'Friday Afternoon ' | - |
James Whitcomb Riley
(1)
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