The Student's Second Tale - The Wayside Inn - Part Second Poem Rhyme Scheme and Analysis
Rhyme Scheme: A ABBAACCAAC DDEFFEEAAEGHFHGF IJIJADDBAAKKBIALL AAAAMNNM OOPPQQRR SAAAAATAATDRCICNNIC ACCAAAAC CCTCIITUCCUAAAVCCVWV WXX VVIVVIIVCCVVAAVCDCC CCCCCACAC CXIXCCIYYACCA CCCCCCIICCNNI CAACZZCAACACCCC AA2A2AAAA CB2CCCCCB2 CCCCAAFFVVVVVCIIC TCTCFFWVVW IAAVVICCC2CC2VVXAC2X AD2D2 CCVVCCVVV VVVCE2CE2CIICF2G2VVC CVCCCC CICIVCVCAAIIVC ZCZCH2H2C2C2AAAAA A CCCCCCCCAACVVCC CC2CCCC2CCAA I2AAI2XJ2CCXJ2 TICTIC| THE BARON OF ST CASTINE | A |
| - | |
| Baron Castine of St Castine | A |
| Has left his chateau in the Pyrenees | B |
| And sailed across the western seas | B |
| When he went away from his fair demesne | A |
| The birds were building the woods were green | A |
| And now the winds of winter blow | C |
| Round the turrets of the old chateau | C |
| The birds are silent and unseen | A |
| The leaves lie dead in the ravine | A |
| And the Pyrenees are white with snow | C |
| - | |
| His father lonely old and gray | D |
| Sits by the fireside day by day | D |
| Thinking ever one thought of care | E |
| Through the southern windows narrow and tall | F |
| The sun shines into the ancient hall | F |
| And makes a glory round his hair | E |
| The house dog stretched beneath his chair | E |
| Groans in his sleep as if in pain | A |
| Then wakes and yawns and sleeps again | A |
| So silent is it everywhere | E |
| So silent you can hear the mouse | G |
| Run and rummage along the beams | H |
| Behind the wainscot of the wall | F |
| And the old man rouses from his dreams | H |
| And wanders restless through the house | G |
| As if he heard strange voices call | F |
| - | |
| His footsteps echo along the floor | I |
| Of a distant passage and pause awhile | J |
| He is standing by an open door | I |
| Looking long with a sad sweet smile | J |
| Into the room of his absent son | A |
| There is the bed on which he lay | D |
| There are the pictures bright and gay | D |
| Horses and hounds and sun lit seas | B |
| There are his powder flask and gun | A |
| And his hunting knives in shape of a fan | A |
| The chair by the window where he sat | K |
| With the clouded tiger skin for a mat | K |
| Looking out on the Pyrenees | B |
| Looking out on Mount Marbore | I |
| And the Seven Valleys of Lavedan | A |
| Ah me he turns away and sighs | L |
| There is a mist before his eyes | L |
| - | |
| At night whatever the weather be | A |
| Wind or rain or starry heaven | A |
| Just as the clock is striking seven | A |
| Those who look from the windows see | A |
| The village Curate with lantern and maid | M |
| Come through the gateway from the park | N |
| And cross the courtyard damp and dark | N |
| A ring of light in a ring of shade | M |
| - | |
| And now at the old man's side he stands | O |
| His voice is cheery his heart expands | O |
| He gossips pleasantly by the blaze | P |
| Of the fire of fagots about old days | P |
| And Cardinal Mazarin and the Fronde | Q |
| And the Cardinal's nieces fair and fond | Q |
| And what they did and what they said | R |
| When they heard his Eminence was dead | R |
| - | |
| And after a pause the old man says | S |
| His mind still coming back again | A |
| To the one sad thought that haunts his brain | A |
| Are there any tidings from over sea | A |
| Ah why has that wild boy gone from me | A |
| And the Curate answers looking down | A |
| Harmless and docile as a lamb | T |
| Young blood young blood It must so be | A |
| And draws from the pocket of his gown | A |
| A handkerchief like an oriflamb | T |
| And wipes his spectacles and they play | D |
| Their little game of lansquenet | R |
| In silence for an hour or so | C |
| Till the clock at nine strikes loud and clear | I |
| From the village lying asleep below | C |
| And across the courtyard into the dark | N |
| Of the winding pathway in the park | N |
| Curate and lantern disappear | I |
| And darkness reigns in the old chateau | C |
| - | |
| The ship has come back from over sea | A |
| She has been signalled from below | C |
| And into the harbor of Bordeaux | C |
| She sails with her gallant company | A |
| But among them is nowhere seen | A |
| The brave young Baron of St Castine | A |
| He hath tarried behind I ween | A |
| In the beautiful land of Acadie | C |
| - | |
| And the father paces to and fro | C |
| Through the chambers of the old chateau | C |
| Waiting waiting to hear the hum | T |
| Of wheels on the road that runs below | C |
| Of servants hurrying here and there | I |
| The voice in the courtyard the step on the stair | I |
| Waiting for some one who doth not come | T |
| But letters there are which the old man reads | U |
| To the Curate when he comes at night | C |
| Word by word as an acolyte | C |
| Repeats his prayers and tells his beads | U |
| Letters full of the rolling sea | A |
| Full of a young man's joy to be | A |
| Abroad in the world alone and free | A |
| Full of adventures and wonderful scenes | V |
| Of hunting the deer through forests vast | C |
| In the royal grant of Pierre du Gast | C |
| Of nights in the tents of the Tarratines | V |
| Of Madocawando the Indian chief | W |
| And his daughters glorious as queens | V |
| And beautiful beyond belief | W |
| And so soft the tones of their native tongue | X |
| The words are not spoken they are sung | X |
| - | |
| And the Curate listens and smiling says | V |
| Ah yes dear friend in our young days | V |
| We should have liked to hunt the deer | I |
| All day amid those forest scenes | V |
| And to sleep in the tents of the Tarratines | V |
| But now it is better sitting here | I |
| Within four walls and without the fear | I |
| Of losing our hearts to Indian queens | V |
| For man is fire and woman is tow | C |
| And the Somebody comes and begins to blow | C |
| Then a gleam of distrust and vague surmise | V |
| Shines in the father's gentle eyes | V |
| As fire light on a window pane | A |
| Glimmers and vanishes again | A |
| But naught he answers he only sighs | V |
| And for a moment bows his head | C |
| Then as their custom is they play | D |
| Their little gain of lansquenet | C |
| And another day is with the dead | C |
| - | |
| Another day and many a day | C |
| And many a week and month depart | C |
| When a fatal letter wings its way | C |
| Across the sea like a bird of prey | C |
| And strikes and tears the old man's heart | C |
| Lo the young Baron of St Castine | A |
| Swift as the wind is and as wild | C |
| Has married a dusky Tarratine | A |
| Has married Madocawando's child | C |
| - | |
| The letter drops from the father's hand | C |
| Though the sinews of his heart are wrung | X |
| He utters no cry he breathes no prayer | I |
| No malediction falls from his tongue | X |
| But his stately figure erect and grand | C |
| Bends and sinks like a column of sand | C |
| In the whirlwind of his great despair | I |
| Dying yes dying His latest breath | Y |
| Of parley at the door of death | Y |
| Is a blessing on his wayward son | A |
| Lower and lower on his breast | C |
| Sinks his gray head he is at rest | C |
| No longer he waits for any one | A |
| - | |
| For many a year the old chateau | C |
| Lies tenantless and desolate | C |
| Rank grasses in the courtyard grow | C |
| About its gables caws the crow | C |
| Only the porter at the gate | C |
| Is left to guard it and to wait | C |
| The coming of the rightful heir | I |
| No other life or sound is there | I |
| No more the Curate comes at night | C |
| No more is seen the unsteady light | C |
| Threading the alleys of the park | N |
| The windows of the hall are dark | N |
| The chambers dreary cold and bare | I |
| - | |
| At length at last when the winter is past | C |
| And birds are building and woods are green | A |
| With flying skirts is the Curate seen | A |
| Speeding along the woodland way | C |
| Humming gayly No day is so long | Z |
| But it comes at last to vesper song | Z |
| He stops at the porter's lodge to say | C |
| That at last the Baron of St Castine | A |
| Is coming home with his Indian queen | A |
| Is coming without a week's delay | C |
| And all the house must be swept and clean | A |
| And all things set in good array | C |
| And the solemn porter shakes his head | C |
| And the answer he makes is Lackaday | C |
| We will see as the blind man said | C |
| - | |
| Alert since first the day began | A |
| The cock upon the village church | A2 |
| Looks northward from his airy perch | A2 |
| As if beyond the ken of man | A |
| To see the ships come sailing on | A |
| And pass the isle of Oleron | A |
| And pass the Tower of Cordouan | A |
| - | |
| In the church below is cold in clay | C |
| The heart that would have leaped for joy | B2 |
| O tender heart of truth and trust | C |
| To see the coming of that day | C |
| In the church below the lips are dust | C |
| Dust are the hands and dust the feet | C |
| That would have been so swift to meet | C |
| The coming of that wayward boy | B2 |
| - | |
| At night the front of the old chateau | C |
| Is a blaze of light above and below | C |
| There's a sound of wheels and hoofs in the street | C |
| A cracking of whips and scamper of feet | C |
| Bells are ringing and horns are blown | A |
| And the Baron hath come again to his own | A |
| The Curate is waiting in the hall | F |
| Most eager and alive of all | F |
| To welcome the Baron and Baroness | V |
| But his mind is full of vague distress | V |
| For he hath read in Jesuit books | V |
| Of those children of the wilderness | V |
| And now good simple man he looks | V |
| To see a painted savage stride | C |
| Into the room with shoulders bare | I |
| And eagle feathers in her hair | I |
| And around her a robe of panther's hide | C |
| - | |
| Instead he beholds with secret shame | T |
| A form of beauty undefined | C |
| A loveliness with out a name | T |
| Not of degree but more of kind | C |
| Nor bold nor shy nor short nor tall | F |
| But a new mingling of them all | F |
| Yes beautiful beyond belief | W |
| Transfigured and transfused he sees | V |
| The lady of the Pyrenees | V |
| The daughter of the Indian chief | W |
| - | |
| Beneath the shadow of her hair | I |
| The gold bronze color of the skin | A |
| Seems lighted by a fire within | A |
| As when a burst of sunlight shines | V |
| Beneath a sombre grove of pines | V |
| A dusky splendor in the air | I |
| The two small hands that now are pressed | C |
| In his seem made to be caressed | C |
| They lie so warm and soft and still | C2 |
| Like birds half hidden in a nest | C |
| Trustful and innocent of ill | C2 |
| And ah he cannot believe his ears | V |
| When her melodious voice he hears | V |
| Speaking his native Gascon tongue | X |
| The words she utters seem to be | A |
| Part of some poem of Goudouli | C2 |
| They are not spoken they are sung | X |
| And the Baron smiles and says You see | A |
| I told you but the simple truth | D2 |
| Ah you may trust the eyes of youth | D2 |
| - | |
| Down in the village day by day | C |
| The people gossip in their way | C |
| And stare to see the Baroness pass | V |
| On Sunday morning to early Mass | V |
| And when she kneeleth down to pray | C |
| They wonder and whisper together and say | C |
| Surely this is no heathen lass | V |
| And in course of time they learn to bless | V |
| The Baron and the Baroness | V |
| - | |
| And in course of time the Curate learns | V |
| A secret so dreadful that by turns | V |
| He is ice and fire he freezes and burns | V |
| The Baron at confession hath said | C |
| That though this woman be his wife | E2 |
| He bath wed her as the Indians wed | C |
| He hath bought her for a gun and a knife | E2 |
| And the Curate replies O profligate | C |
| O Prodigal Son return once more | I |
| To the open arms and the open door | I |
| Of the Church or ever it be too late | C |
| Thank God thy father did not live | F2 |
| To see what he could not forgive | G2 |
| On thee so reckless and perverse | V |
| He left his blessing not his curse | V |
| But the nearer the dawn the darker the night | C |
| And by going wrong all things come right | C |
| Things have been mended that were worse | V |
| And the worse the nearer they are to mend | C |
| For the sake of the living and the dead | C |
| Thou shalt be wed as Christians wed | C |
| And all things come to a happy end | C |
| - | |
| O sun that followest the night | C |
| In yon blue sky serene and pure | I |
| And pourest thine impartial light | C |
| Alike on mountain and on moor | I |
| Pause for a moment in thy course | V |
| And bless the bridegroom and the bride | C |
| O Gave that from thy hidden source | V |
| In you mysterious mountain side | C |
| Pursuest thy wandering way alone | A |
| And leaping down its steps of stone | A |
| Along the meadow lands demure | I |
| Stealest away to the Adour | I |
| Pause for a moment in thy course | V |
| To bless the bridegroom and the bride | C |
| - | |
| The choir is singing the matin song | Z |
| The doors of the church are opened wide | C |
| The people crowd and press and throng | Z |
| To see the bridegroom and the bride | C |
| They enter and pass along the nave | H2 |
| They stand upon the father's grave | H2 |
| The bells are ringing soft and slow | C2 |
| The living above and the dead below | C2 |
| Give their blessing on one and twain | A |
| The warm wind blows from the hills of Spain | A |
| The birds are building the leaves are green | A |
| And Baron Castine of St Castine | A |
| Hath come at last to his own again | A |
| - | |
| - | |
| - | |
| FINALE | A |
| - | |
| Nunc plaudite the Student cried | C |
| When he had finished now applaud | C |
| As Roman actors used to say | C |
| At the conclusion of a play | C |
| And rose and spread his hands abroad | C |
| And smiling bowed from side to side | C |
| As one who bears the palm away | C |
| And generous was the applause and loud | C |
| But less for him than for the sun | A |
| That even as the tale was done | A |
| Burst from its canopy of cloud | C |
| And lit the landscape with the blaze | V |
| Of afternoon on autumn days | V |
| And filled the room with light and made | C |
| The fire of logs a painted shade | C |
| - | |
| A sudden wind from out the west | C |
| Blew all its trumpets loud and shrill | C2 |
| The windows rattled with the blast | C |
| The oak trees shouted as it passed | C |
| And straight as if by fear possessed | C |
| The cloud encampment on the hill | C2 |
| Broke up and fluttering flag and tent | C |
| Vanished into the firmament | C |
| And down the valley fled amain | A |
| The rear of the retreating rain | A |
| - | |
| Only far up in the blue sky | I2 |
| A mass of clouds like drifted snow | A |
| Suffused with a faint Alpine glow | A |
| Was heaped together vast and high | I2 |
| On which a shattered rainbow hung | X |
| Not rising like the ruined arch | J2 |
| Of some aerial aqueduct | C |
| But like a roseate garland plucked | C |
| From an Olympian god and flung | X |
| Aside in his triumphal march | J2 |
| - | |
| Like prisoners from their dungeon gloom | T |
| Like birds escaping from a snare | I |
| Like school boys at the hour of play | C |
| All left at once the pent up room | T |
| And rushed into the open air | I |
| And no more tales were told that day | C |
Henry Wadsworth Longfellow
(1)
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About The Student's Second Tale - The Wayside Inn - Part Second
The Student's Second Tale - The Wayside Inn - Part Second is a poem by Henry Wadsworth Longfellow. This page includes the poem text, poet information, related topics, comments, and similar poems.
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