Lament For Ignacio Sà¡nchez Mejàas Poem Rhyme Scheme and Analysis
Rhyme Scheme: A BBCBDBE FBFBFBGBHBIBJBKBLBMB NBBB OBPBOBQBRBSBTBBBUB V W XVY W ZA2B2C2 W FC2C2 W D2E2VYYEC2F2G2Y C2C2H2I2FJ2YYYYK2C2C 2L2YM2Y C2M2C2C2C2C2C2YFJ2YN 2C2K2C2ZO2YYC2LFC2C2 YFFC2 YC2C2FLC2C2YC2E2YFP2 FFC2FYYYYC2FFY Y Q2C2R2C2 C2C2EY C2FFC2 EC2FF S2YFY T2U2C2C2 FFYC2Y C2C2LY EC2YA FC2V2C2 BFC2I C2C2LC2 F FC2FF FYFF C2C2C2F FF2ZC2 FC2LS2Y GFEC2Cogida and death | A |
- | |
At five in the afternoon | B |
It was exactly five in the afternoon | B |
A boy brought the white sheet | C |
at five in the afternoon | B |
A frail of lime ready prepared | D |
at five in the afternoon | B |
The rest was death and death alone | E |
- | |
The wind carried away the cottonwool | F |
at five in the afternoon | B |
And the oxide scattered crystal and nickel | F |
at five in the afternoon | B |
Now the dove and the leopard wrestle | F |
at five in the afternoon | B |
And a thigh with a desolated horn | G |
at five in the afternoon | B |
The bass string struck up | H |
at five in the afternoon | B |
Arsenic bells and smoke | I |
at five in the afternoon | B |
Groups of silence in the corners | J |
at five in the afternoon | B |
And the bull alone with a high heart | K |
At five in the afternoon | B |
When the sweat of snow was coming | L |
at five in the afternoon | B |
when the bull ring was covered with iodine | M |
at five in the afternoon | B |
Death laid eggs in the wound | N |
at five in the afternoon | B |
At five in the afternoon | B |
At five o'clock in the afternoon | B |
- | |
A coffin on wheels is his bed | O |
at five in the afternoon | B |
Bones and flutes resound in his ears | P |
at five in the afternoon | B |
Now the bull was bellowing through his forehead | O |
at five in the afternoon | B |
The room was iridiscent with agony | Q |
at five in the afternoon | B |
In the distance the gangrene now comes | R |
at five in the afternoon | B |
Horn of the lily through green groins | S |
at five in the afternoon | B |
The wounds were burning like suns | T |
at five in the afternoon | B |
At five in the afternoon | B |
Ah that fatal five in the afternoon | B |
It was five by all the clocks | U |
It was five in the shade of the afternoon | B |
- | |
The Spilled Blood | V |
- | |
I will not see it | W |
- | |
Tell the moon to come | X |
for I do not want to see the blood | V |
of Ignacio on the sand | Y |
- | |
I will not see it | W |
- | |
The moon wide open | Z |
Horse of still clouds | A2 |
and the grey bull ring of dreams | B2 |
with willows in the barreras | C2 |
- | |
I will not see it | W |
- | |
Let my memory kindle | F |
Warm the jasmines | C2 |
of such minute whiteness | C2 |
- | |
I will not see it | W |
- | |
The cow of the ancient world | D2 |
passed har sad tongue | E2 |
over a snout of blood | V |
spilled on the sand | Y |
and the bulls of Guisando | Y |
partly death and partly stone | E |
bellowed like two centuries | C2 |
sated with threading the earth | F2 |
No | G2 |
I will not see it | Y |
- | |
Ignacio goes up the tiers | C2 |
with all his death on his shoulders | C2 |
He sought for the dawn | H2 |
but the dawn was no more | I2 |
He seeks for his confident profile | F |
and the dream bewilders him | J2 |
He sought for his beautiful body | Y |
and encountered his opened blood | Y |
Do not ask me to see it | Y |
I do not want to hear it spurt | Y |
each time with less strength | K2 |
that spurt that illuminates | C2 |
the tiers of seats and spills | C2 |
over the cordury and the leather | L2 |
of a thirsty multiude | Y |
Who shouts that I should come near | M2 |
Do not ask me to see it | Y |
- | |
His eyes did not close | C2 |
when he saw the horns near | M2 |
but the terrible mothers | C2 |
lifted their heads | C2 |
And across the ranches | C2 |
an air of secret voices rose | C2 |
shouting to celestial bulls | C2 |
herdsmen of pale mist | Y |
There was no prince in Sevilla | F |
who could compare to him | J2 |
nor sword like his sword | Y |
nor heart so true | N2 |
Like a river of lions | C2 |
was his marvellous strength | K2 |
and like a marble toroso | C2 |
his firm drawn moderation | Z |
The air of Andalusian Rome | O2 |
gilded his head | Y |
where his smile was a spikenard | Y |
of wit and intelligence | C2 |
What a great torero in the ring | L |
What a good peasant in the sierra | F |
How gentle with the sheaves | C2 |
How hard with the spurs | C2 |
How tender with the dew | Y |
How dazzling the fiesta | F |
How tremendous with the final | F |
banderillas of darkness | C2 |
- | |
But now he sleeps without end | Y |
Now the moss and the grass | C2 |
open with sure fingers | C2 |
the flower of his skull | F |
And now his blood comes out singing | L |
singing along marshes and meadows | C2 |
sliden on frozen horns | C2 |
faltering soulles in the mist | Y |
stoumbling over a thousand hoofs | C2 |
like a long dark sad tongue | E2 |
to form a pool of agony | Y |
close to the starry Guadalquivir | F |
Oh white wall of Spain | P2 |
Oh black bull of sorrow | F |
Oh hard blood of Ignacio | F |
Oh nightingale of his veins | C2 |
No | F |
I will not see it | Y |
No chalice can contain it | Y |
no swallows can drink it | Y |
no frost of light can cool it | Y |
nor song nor deluge og white lilies | C2 |
no glass can cover mit with silver | F |
No | F |
I will not see it | Y |
- | |
The Laid Out Body | Y |
- | |
Stone is a forehead where dreames grieve | Q2 |
without curving waters and frozen cypresses | C2 |
Stone is a shoulder on which to bear Time | R2 |
with trees formed of tears and ribbons and planets | C2 |
- | |
I have seen grey showers move towards the waves | C2 |
raising their tender riddle arms | C2 |
to avoid being caught by lying stone | E |
which loosens their limbs without soaking their blood | Y |
- | |
For stone gathers seed and clouds | C2 |
skeleton larks and wolves of penumbra | F |
but yields not sounds nor crystals nor fire | F |
only bull rings and bull rings and more bull rings without walls | C2 |
- | |
Now Ignacio the well born lies on the stone | E |
All is finished What is happening Contemplate his face | C2 |
death has covered him with pale sulphur | F |
and has place on him the head of dark minotaur | F |
- | |
All is finished The rain penetrates his mouth | S2 |
The air as if mad leaves his sunken chest | Y |
and Love soaked through with tears of snow | F |
warms itself on the peak of the herd | Y |
- | |
What is they saying A stenching silence settles down | T2 |
We are here with a body laid out which fades away | U2 |
with a pure shape which had nightingales | C2 |
and we see it being filled with depthless holes | C2 |
- | |
Who creases the shroud What he says is not true | F |
Nobody sings here nobody weeps in the corner | F |
nobody pricks the spurs nor terrifies the serpent | Y |
Here I want nothing else but the round eyes | C2 |
to see his body without a chance of rest | Y |
- | |
Here I want to see those men of hard voice | C2 |
Those that break horses and dominate rivers | C2 |
those men of sonorous skeleton who sing | L |
with a mouth full of sun and flint | Y |
- | |
Here I want to see them Before the stone | E |
Before this body with broken reins | C2 |
I want to know from them the way out | Y |
for this captain stripped down by death | A |
- | |
I want them to show me a lament like a river | F |
wich will have sweet mists and deep shores | C2 |
to take the body of Ignacio where it looses itself | V2 |
without hearing the double planting of the bulls | C2 |
- | |
Loses itself in the round bull ring of the moon | B |
which feigns in its youth a sad quiet bull | F |
loses itself in the night without song of fishes | C2 |
and in the white thicket of frozen smoke | I |
- | |
I don't want to cover his face with handkerchiefs | C2 |
that he may get used to the death he carries | C2 |
Go Ignacio feel not the hot bellowing | L |
Sleep fly rest even the sea dies | C2 |
- | |
Absent Soul | F |
- | |
The bull does not know you nor the fig tree | F |
nor the horses nor the ants in your own house | C2 |
The child and the afternoon do not know you | F |
because you have dead forever | F |
- | |
The shoulder of the stone does not know you | F |
nor the black silk where you are shuttered | Y |
Your silent memory does not know you | F |
because you have died forever | F |
- | |
The autumn will come with small white snails | C2 |
misty grapes and clustered hills | C2 |
but no one will look into your eyes | C2 |
because you have died forever | F |
- | |
Because you have died for ever | F |
like all the dead of the earth | F2 |
like all the dead who are forgotten | Z |
in a heap of lifeless dogs | C2 |
- | |
Nobady knows you No But I sing of you | F |
For posterity I sing of your profile and grace | C2 |
Of the signal maturity of your understanding | L |
Of your appetite for death and the taste of its mouth | S2 |
Of the sadness of your once valiant gaiety | Y |
- | |
It will be a long time if ever before there is born | G |
an Andalusian so true so rich in adventure | F |
I sing of his elegance with words that groan | E |
and I remember a sad breeze through the olive trees | C2 |
Federico Garca-a Lorca
(1)
Poem topics: , Print This Poem , Rhyme Scheme
Submit Spanish Translation
Submit German Translation
Submit French Translation
Write your comment about Lament For Ignacio Sà¡nchez Mejàas poem by Federico Garca-a Lorca
Best Poems of Federico Garca-a Lorca