Roosters Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABA CCC DED FFF GGG HIJ KKK LMM NOP QQQ RRR RRR RRR RRR SST UUU VWW SST XYG ZZV RRR JHH UUU A2B2B2 C2C2C2 RRR D2A2E2 RRR HHH F2F2F2 G2G2G2 F2F2F2 RRR H2H2H2 RRR G2G2G2 I2I2I2 RRR I2G2G2 UUU J2K2K2 I2I2G2 L2L2L2 G2F2F2At four o'clock | A |
in the gun metal blue dark | B |
we hear the first crow of the first cock | A |
- | |
just below | C |
the gun metal blue window | C |
and immediately there is an echo | C |
- | |
off in the distance | D |
then one from the backyard fence | E |
then one with horrible insistence | D |
- | |
grates like a wet match | F |
from the broccoli patch | F |
flares and all over town begins to catch | F |
- | |
Cries galore | G |
come from the water closet door | G |
from the dropping plastered henhouse floor | G |
- | |
where in the blue blur | H |
their rusting wives admire | I |
the roosters brace their cruel feet and glare | J |
- | |
with stupid eyes | K |
while from their beaks there rise | K |
the uncontrolled traditional cries | K |
- | |
Deep from protruding chests | L |
in green gold medals dressed | M |
planned to command and terrorize the rest | M |
- | |
the many wives | N |
who lead hens' lives | O |
of being courted and despised | P |
- | |
deep from raw throats | Q |
a senseless order floats | Q |
all over town A rooster gloats | Q |
- | |
over our beds | R |
from rusty irons sheds | R |
and fences made from old bedsteads | R |
- | |
over our churches | R |
where the tin rooster perches | R |
over our little wooden northern houses | R |
- | |
making sallies | R |
from all the muddy alleys | R |
marking out maps like Rand McNally's | R |
- | |
glass headed pins | R |
oil golds and copper greens | R |
anthracite blues alizarins | R |
- | |
each one an active | S |
displacement in perspective | S |
each screaming This is where I live | T |
- | |
Each screaming | U |
Get up Stop dreaming | U |
Roosters what are you projecting | U |
- | |
You whom the Greeks elected | V |
to shoot at on a post who struggled | W |
when sacrificed you whom they labeled | W |
- | |
Very combative | S |
what right have you to give | S |
commands and tell us how to live | T |
- | |
cry Here and Here | X |
and wake us here where are | Y |
unwanted love conceit and war | G |
- | |
The crown of red | Z |
set on your little head | Z |
is charged with all your fighting blood | V |
- | |
Yes that excrescence | R |
makes a most virile presence | R |
plus all that vulgar beauty of iridescence | R |
- | |
Now in mid air | J |
by two they fight each other | H |
Down comes a first flame feather | H |
- | |
and one is flying | U |
with raging heroism defying | U |
even the sensation of dying | U |
- | |
And one has fallen | A2 |
but still above the town | B2 |
his torn out bloodied feathers drift down | B2 |
- | |
and what he sung | C2 |
no matter He is flung | C2 |
on the gray ash heap lies in dung | C2 |
- | |
with his dead wives | R |
with open bloody eyes | R |
while those metallic feathers oxidize | R |
- | |
- | |
St Peter's sin | D2 |
was worse than that of Magdalen | A2 |
whose sin was of the flesh alone | E2 |
- | |
of spirit Peter's | R |
falling beneath the flares | R |
among the servants and officers | R |
- | |
Old holy sculpture | H |
could set it all together | H |
in one small scene past and future | H |
- | |
Christ stands amazed | F2 |
Peter two fingers raised | F2 |
to surprised lips both as if dazed | F2 |
- | |
But in between | G2 |
a little cock is seen | G2 |
carved on a dim column in the travertine | G2 |
- | |
explained by gallus canit | F2 |
flet Petrus underneath it | F2 |
There is inescapable hope the pivot | F2 |
- | |
yes and there Peter's tears | R |
run down our chanticleer's | R |
sides and gem his spurs | R |
- | |
Tear encrusted thick | H2 |
as a medieval relic | H2 |
he waits Poor Peter heart sick | H2 |
- | |
still cannot guess | R |
those cock a doodles yet might bless | R |
his dreadful rooster come to mean forgiveness | R |
- | |
a new weathervane | G2 |
on basilica and barn | G2 |
and that outside the Lateran | G2 |
- | |
there would always be | I2 |
a bronze cock on a porphyry | I2 |
pillar so the people and the Pope might see | I2 |
- | |
that event the Prince | R |
of the Apostles long since | R |
had been forgiven and to convince | R |
- | |
all the assembly | I2 |
that Deny deny deny | G2 |
is not all the roosters cry | G2 |
- | |
In the morning | U |
a low light is floating | U |
in the backyard and gilding | U |
- | |
from underneath | J2 |
the broccoli leaf by leaf | K2 |
how could the night have come to grief | K2 |
- | |
gilding the tiny | I2 |
floating swallow's belly | I2 |
and lines of pink cloud in the sky | G2 |
- | |
the day's preamble | L2 |
like wandering lines in marble | L2 |
The cocks are now almost inaudible | L2 |
- | |
The sun climbs in | G2 |
following to see the end | F2 |
faithful as enemy or friend | F2 |
Elizabeth Bishop
(1)
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