A Letter From Li Po Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCDEFGHIJKLMNOPQRCC SSTUVPWXYZA2HB2 YB2C2C2D2YE2F2G2H2I2 YJ2K2L2M2N2YO2YYP2Q2 OR2B2YYS2YS2 T2U2S2S2N2V2H2OOZZW2 X2Y F2R2 Y2ZYZ2YEEEA3A3 E B3T2T2YYYN2N2F2CR2R2 YYC3C3 R2R2R2N2N2YYHF2S2S2D 3YD3 E E3F3AF2F2H2R2F2Z2EG3 R2R2D2 YYYYH3H3YC2YYYYY C2C2C2C2N2C2YH2R2V2A W2A F2ZN2H2AI3J3H2 R2 EEVVYZZ H2| Fanfare of northwest wind a bluejay wind | A |
| announces autumn and the equinox | B |
| rolls back blue bays to a far afternoon | C |
| Somewhere beyond the Gorge Li Po is gone | D |
| looking for friendship or an old love's sleeve | E |
| or writing letters to his children lost | F |
| and to his children's children and to us | G |
| What was his light of lamp or moon or sun | H |
| Say that it changed for better or for worse | I |
| sifted by leaves sifted by snow on mulberry silk | J |
| a slant of witch light on the pure text | K |
| a slant of genius emptying mind and heart | L |
| for winecups and more winecups and more words | M |
| What was his time Say that it was a change | N |
| but constant as a changing thing may be | O |
| from chicory's moon dark blue down the taut scale | P |
| to chicory's tenderest pink in a pink field | Q |
| such as imagination dreams of thought | R |
| But of the heart beneath the winecup moon | C |
| the tears that fell beneath the winecup moon | C |
| for children lost lost lovers and lost friends | S |
| what can we say but that it never ends | S |
| Even for us it never ends only begins | T |
| Yet to spell down the poem on her page | U |
| margining her phrases parsing forth | V |
| the sevenfold prism of meaning up the scale | P |
| from chicory pink to blue is to assume | W |
| Li Po himself as he before assumed | X |
| the poets and the sages who were his | Y |
| Like him we too have eaten of the word | Z |
| with him are somewhere lost beyond the Gorge | A2 |
| and write in rain a letter to lost children | H |
| a letter long as time and brief as love | B2 |
| - | |
| II | - |
| - | |
| And yet not love not only love Not caritas | Y |
| or only that Nor the pink chicory love | B2 |
| deep as it may be even to moon dark blue | C2 |
| in which the dragon of his meaning flew | C2 |
| for friends or children lost or even | D2 |
| for the beloved horse for Li Po's horse | Y |
| not these in the self's circle so embraced | E2 |
| too near too dear for pure assessment no | F2 |
| a letter crammed and creviced crannied full | G2 |
| storied and stored as the ripe honeycomb | H2 |
| with other faith than this As of sole pride | I2 |
| and holy loneliness the intrinsic face | Y |
| worn by the always changing shape between | J2 |
| end and beginning birth and death | K2 |
| How moves that line of daring on the map | L2 |
| Where was it yesterday or where this morning | M2 |
| when thunder struck at seven and in the bay | N2 |
| the meteor made its dive and shed its wings | Y |
| and with them one more Icarus Where struck | O2 |
| that lightning stroke which in your sleep you saw | Y |
| wrinkling across the eyelid Somewhere else | Y |
| But somewhere else is always here and now | P2 |
| Each moment crawls that lightning on your eyelid | Q2 |
| each moment you must die It was a tree | O |
| that this time died for you it was a rock | R2 |
| and with it all its local web of love | B2 |
| a chimney spilling down historic bricks | Y |
| perhaps a skyful of Ben Franklin's kites | Y |
| And with them us For we must hear and bear | S2 |
| the news from everywhere the hourly news | Y |
| infinitesimal or vast from everywhere | S2 |
| - | |
| III | - |
| - | |
| Sole pride and loneliness it is the state | T2 |
| the kingdom rather of all things we hear | U2 |
| news of the heart in weather of the Bear | S2 |
| slide down the rungs of Cassiopeia's Chair | S2 |
| still on the nursery floor the Milky Way | N2 |
| and if we question one must question all | V2 |
| What is this man' How far from him is me' | H2 |
| Who in this conch shell locked the sound of sea | O |
| We are the tree yet sit beneath the tree | O |
| among the leaves we are the hidden bird | Z |
| we are the singer and are what is heard | Z |
| What is this world' Not Li Po's Gorge alone | W2 |
| and yet this too might be The wind was high | X2 |
| north of the White King City by the fields | Y |
| of whistling barley under cuckoo sky ' | - |
| where as the silkworm drew her silk Li Po | F2 |
| spun out his thoughts of us Endless as silk' | R2 |
| he said these poems for lost loves and us ' | - |
| and for the peachtree blooming in the ditch ' | - |
| Here is the divine loneliness in which | Y2 |
| we greet only to doubt a voice a word | Z |
| the smoke of a sweetfern after frost a face | Y |
| touched and loved but still unknown and then | Z2 |
| a body still mysterious in embrace | Y |
| Taste lost as touch is lost only to leave | E |
| dust on the doorsill or an ink stained sleeve | E |
| and yet for the inadmissible to grieve | E |
| Of leaf and love at last only to doubt | A3 |
| from world within or world without kept out | A3 |
| - | |
| IV | E |
| - | |
| Caucus of robins on an alien shore | B3 |
| as of the Ho Ho birds at Jewel Gate | T2 |
| southward bound and who knows where and never late | T2 |
| or lost in a roar at sea Rovers of chaos | Y |
| each one the Rover of Chao ' whose slight bones | Y |
| shall put to shame the swords We fly with these | Y |
| have always flown and they | N2 |
| stay with us here stand still and stay | N2 |
| while exiled in the Land of Pa Li Po | F2 |
| still at the Wine Spring stoops to drink the moon | C |
| And northward now for fall gives way to spring | R2 |
| from Sandy Hook and Kitty Hawk they wing | R2 |
| and he remembers with the pipes and flutes | Y |
| drunk with joy bewildered by the chance | Y |
| that brought a friend and friendship how in vain | C3 |
| he strove to speak and in long sentences ' his pain | C3 |
| Exiled are we Were exiles born The far away ' | - |
| language of desert language of ocean language of sky | R2 |
| as of the unfathomable worlds that lie | R2 |
| between the apple and the eye | R2 |
| these are the only words we learn to say | N2 |
| Each morning we devour the unknown Each day | N2 |
| we find and take and spill or spend or lose | Y |
| a sunflower splendor of which none knows the source | Y |
| This cornucopia of air This very heaven | H |
| of simple day We do not know can never know | F2 |
| the alphabet to find us entrance there | S2 |
| So in the street we stand and stare | S2 |
| to greet a friend and shake his hand | D3 |
| yet know him beyond knowledge like ourselves | Y |
| ocean unknowable by unknowable sand | D3 |
| - | |
| V | E |
| - | |
| The locust tree spills sequins of pale gold | E3 |
| in spiral nebulae borne on the Invisible | F3 |
| earthward and deathward but in change to find | A |
| the cycles to new birth new life Li Po | F2 |
| allowed his autumn thoughts like these to flow | F2 |
| and from the Gorge sends word of Chouang's dream | H2 |
| Did Chouang dream he was a butterfly | R2 |
| Or did the butterfly dream Chouang If so | F2 |
| why then all things can change and change again | Z2 |
| the sea to brook the brook to sea and we | E |
| from man to butterfly and back to man | G3 |
| This 'I ' this moving I ' this focal I ' | - |
| which changes when it dreams the butterfly | R2 |
| into the thing it dreams of liquid eye | R2 |
| in which the thing takes shape but from within | D2 |
| as well as from without this liquid I' | - |
| how many guises and disguises this | Y |
| nimblest of actors takes how many names | Y |
| puts on and off the costumes worn but once | Y |
| the player queen the lover or the dunce | Y |
| hero or poet father or friend | H3 |
| suiting the eloquence to the moment's end | H3 |
| childlike or bestial the language of the kiss | Y |
| sensual or simple and the gestures too | C2 |
| as slight as that with which an empire falls | Y |
| or a great love's abjured these feignings sleights | Y |
| savants or saints or fly by nights | Y |
| the novice in her cell or wearing tights | Y |
| on the high wire above a hell of lights | Y |
| what's true in these or false which is the I' | - |
| of 'I's' Is it the master of the cadence who | C2 |
| transforms all things to a hoop of flame where through | C2 |
| tigers of meaning leap And are these true | C2 |
| the language never old and never new | C2 |
| such as the world wears on its wedding day | N2 |
| the something borrowed with something chicory blue | C2 |
| In every part we play we play ourselves | Y |
| even the secret doubt to which we come | H2 |
| beneath the changing shapes of self and thing | R2 |
| yes even this at last if we should call | V2 |
| and dare to name it we would find | A |
| the only voice that answers is our own | W2 |
| We are once more defrauded by the mind | A |
| - | |
| Defrauded No It is the alchemy by which we grow | F2 |
| It is the self becoming word the word | Z |
| becoming world And with each part we play | N2 |
| we add to cosmic Sum and cosmic sum | H2 |
| Who knows but one day we shall find | A |
| hidden in the prism at the rainbow's foot | I3 |
| the square root of the eccentric absolute | J3 |
| and the concentric absolute to come | H2 |
| - | |
| VI | R2 |
| - | |
| The thousand eyes the Argus I's' of love | E |
| of these it was in verse that Li Po wove | E |
| the magic cloak for his last going forth | V |
| into the Gorge for his adventure north | V |
| What is not seen or said The cloak of words | Y |
| loves all says all sends back the word | Z |
| whether from Green Spring and the yellow bird | Z |
| 'that sings unceasing on the banks of Kiang ' | - |
| or 'from | H2 |
Conrad Potter Aiken
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