To Nora May French (i) Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCDEFGHIJKLMNOAPQRS QPKSRPTUVWPXYQ SZA2B2C2VD2AE2DF2G2H 2WI2YH2J2K2L2 M2DN2J2E2O2P2Q2Q2A2J 2L2R2J2AA2J2Q2S2T2Q2 J2AQ2SQ2J2Q2J2J2UAP2 A2J2QL2AU2J2AL2L2Q2A 2| Importunate the lion throated sea | A |
| Blind with the mounting foam of winter mourns | B |
| To cliffs where cling the wrenched and laboured roots | C |
| Of cypresses and blossoms granite grown | D |
| Lose in the gale their tattered petals cast | E |
| On bleak tumultuous cauldrons of the tide | F |
| Where fell thy molten ashes Past the bay | G |
| The morning dunes a dust of marble seem | H |
| Wrought from primeval fanes to Beauty reared | I |
| And shattered by some vandal Titan's mace | J |
| To more than time's own ruin Woods of Pine | K |
| Above the dunes in Gothic gloom recede | L |
| And climb the ridge that arches to the north | M |
| Long as a lolling dragon's chine The gulls | N |
| Like ashen leaves far off upon the wind | O |
| Flutter above the broad and smouldering sea | A |
| That lightens with the fire white foam But thou | P |
| For whom the sea is urn and sepulchre | Q |
| Who hast thereof a blown tumultuous sleep | R |
| And stormy peace in gulfs implacable | S |
| What carest thou if Beauty loiter there | Q |
| Clad with the crystal noon What carest thou | P |
| If sharp and sudden balsams of the pine | K |
| Mingle for her in the air's bright thurible | S |
| With keener fragrance proffered by the deep | R |
| From riven gulfs resounding Knowest thou | P |
| What solemn shores of crocus coloured light | T |
| Reared by the sunset in its realm of change | U |
| Will mock the dream lost isles that sirens ward | V |
| And charm the icy emerald of the seas | W |
| To unabiding iris Knowest thou | P |
| The waxing of the wan December foam | X |
| A thunder cloven veil that climbs and falls | Y |
| Upon the cliffs forevermore | Q |
| - | |
| Thou art still | S |
| As they that sleep in the eldest pyramid | Z |
| Or mounded with Mesopotamia | A2 |
| And immemorial deserts Thou art one | B2 |
| With the wordless dumb conspiracy of death | C2 |
| Silence wherein the warrior kings accord | V |
| And all the wrangling sages If thy voice | D2 |
| In any wise return and word of thee | A |
| It is a lost incognizable sigh | E2 |
| t of the wind's oblivious woe or blown | D |
| Antiphonal from wave to plangent wave | F2 |
| In the vast unhuman sorrow of the main | G2 |
| On tides that lave the city laden shores | H2 |
| Of lands wherein the eternal vanities | W |
| Are served at many altars tides that wash | I2 |
| Lemuria's unfathomable walls | Y |
| And idly sway the weed involved oars | H2 |
| wharves of old Atlantis tides that rise | J2 |
| From coral coffered bones of all the drowned | K2 |
| And sunless tombs of pearl that krakens guard | L2 |
| - | |
| As none shall roam the sad Leucadian rock | M2 |
| Above the sea's immitigable moan | D |
| But in his heart a song that Sappho sang | N2 |
| And flame soft murmer of the muted lyres | J2 |
| That time hath not extinguished and the cry | E2 |
| Of nightingales two thousand years ago | O2 |
| Shall mix with those remorseful chords that break | P2 |
| To endless foam and thunder and he learn | Q2 |
| The unsleeping woe that lives in Mytelene | Q2 |
| Till wave and deep are dumb with ice and rime | A2 |
| Hath paled the rose forever even thus | J2 |
| Daughter of Sappho sad and passion souled | L2 |
| Whose face the lutes of Lesbos would have sung | R2 |
| And white Erinna followed even thus | J2 |
| The western wave is eloquent of thee | A |
| And half the wine like fragrance of the foam | A2 |
| Is attar of they spirit and the pines | J2 |
| From breasts of secret melancholy green | Q2 |
| Release remembered echoes of thy song | S2 |
| To airs importunate No wraith of fog | T2 |
| Twice ghostly with the Hecatean moon | Q2 |
| Nor rack of blown fantasmal spume shall rise | J2 |
| But I will dream thy spirit walks the sea | A |
| Unpacified with Lethe Thou art grown | Q2 |
| A part of all sad beauty and my soul | S |
| Hath found thy buried sorrow in its own | Q2 |
| Inseparable forever Moons that pass | J2 |
| Immaculate to solemn pyres of snow | Q2 |
| And meres whereon the broken lotus dies | J2 |
| Are kin to thee as wine lipped autumn is | J2 |
| With suns of swift irreparable change | U |
| And lucid evenings eager starred Of thee | A |
| The pearled fountains tell and winds that take | P2 |
| In one white swirl the petals of the plum | A2 |
| And leave the branches lonely Royal blooms | J2 |
| Of the magnolia pale as Beauty's brow | Q |
| And foam white myrtles and the fiery bright | L2 |
| Pomegranate flowers will softly speak of thee | A |
| While spring hath speech and meaning Music hath | U2 |
| Her fugitive and uncommanded chords | J2 |
| That thrill with tremors of thy mystery | A |
| Or turn the void thy fleeing soul hath left | L2 |
| To murmurs inenarrable that hold | L2 |
| Epiphanies of blind conceiveless vision | Q2 |
| And things we dare not know and dare not dream | A2 |
Clark Ashton Smith
(1)
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About To Nora May French (i)
To Nora May French (i) is a poem by Clark Ashton Smith. This page includes the poem text, poet information, related topics, comments, and similar poems.
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