Behind The Arras Poem Rhyme Scheme and Analysis
Rhyme Scheme: AABBB CCDDD EEFFF GGHHH IIJJJ DDKKK LLMMM NNOOO PPQQQ RRSSS MMMMM DDTTT UUVVV DDRRR MMMMM WWXXX YZPPP A2A2B2B2B2 C2C2D2D2D2 FFMMM E2E2F2F2F2G2G2H2H2H2 I2I2PPP J2J2MMM K2K2MMM L2L2DDD M2M2FFF WWIII MMN2N2N2 MMDDD LLMMM MMMMM L2L2L2L2L2 L2L2O2O2O2 L2L2N2N2N2 MMMMM WWMMM L2L2N2N2N2 DDMMM MMP2P2P2 N2Q2R2R2R2 FFPPP N2N2PPP L2L2L2L2L2 MMQ2N2N2 S2S2L2L2L2 T2T2U2U2U2 FFFFF B2B2DDD MMV2V2V2 VVDDD MML2L2L2 L2L2W2W2W2 MML2L2L2 L2L2X2X2X2 Y2Y2Z2Z2Z2 MMPPP MMDDD P2P2DDD A3A3DDDI like the old house tolerably well | A |
Where I must dwell | A |
Like a familiar gnome | B |
And yet I never shall feel quite at home | B |
I love to roam | B |
- | |
Day after day I loiter and explore | C |
From door to door | C |
So many treasures lure | D |
The curious mind What histories obscure | D |
They must immure | D |
- | |
I hardly know which room I care for best | E |
This fronting west | E |
With the strange hills in view | F |
Where the great sun goes where I may go too | F |
When my lease is through | F |
- | |
Or this one for the morning and the east | G |
Where a man may feast | G |
His eyes on looming sails | H |
And be the first to catch their foreign hails | H |
Or spy their bales | H |
- | |
Then the pale summer twilights towards the pole | I |
It thrills my soul | I |
With wonder and delight | J |
When gold green shadows walk the world at night | J |
So still so bright | J |
- | |
There at the window many a time of year | D |
Strange faces peer | D |
Solemn though not unkind | K |
Their wits in search of something left behind | K |
Time out of mind | K |
- | |
As if they once had lived here and stole back | L |
To the window crack | L |
For a peep which seems to say | M |
Good fortune brother in your house of clay | M |
And then Good day | M |
- | |
I hear their footsteps on the gravel walk | N |
Their scraps of talk | N |
And hurrying after reach | O |
Only the crazy sea drone of the beach | O |
In endless speech | O |
- | |
And often when the autumn noons are still | P |
By swale and hill | P |
I see their gipsy signs | Q |
Trespassing somewhere on my border lines | Q |
With what designs | Q |
- | |
I forth afoot but when I reach the place | R |
Hardly a trace | R |
Save the soft purple haze | S |
Of smouldering camp fires any hint betrays | S |
Who went these ways | S |
- | |
Or tatters of pale aster blue descried | M |
By the roadside | M |
Reveal whither they fled | M |
Or the swamp maples here and there a shred | M |
Of Indian red | M |
- | |
But most of all the marvellous tapestry | D |
Engrosses me | D |
Where such strange things are rife | T |
Fancies of beasts and flowers and love and strife | T |
Woven to the life | T |
- | |
Degraded shapes and splendid seraph forms | U |
And teeming swarms | U |
Of creatures gauzy dim | V |
That cloud the dusk and painted fish that swim | V |
At the weaver's whim | V |
- | |
And wonderful birds that wheel and hang in the air | D |
And beings with hair | D |
And moving eyes in the face | R |
And white bone teeth and hideous grins who race | R |
From place to place | R |
- | |
They build great temples to their John a nod | M |
And fume and plod | M |
To deck themselves with gold | M |
And paint themselves like chattels to be sold | M |
Then turn to mould | M |
- | |
Sometimes they seem almost as real as I | W |
I hear them sigh | W |
I see them bow with grief | X |
Or dance for joy like an aspen leaf | X |
But that is brief | X |
- | |
They have mad wars and phantom marriages | Y |
Nor seem to guess | Z |
There are dimensions still | P |
Beyond thought's reach though not beyond love's will | P |
For soul to fill | P |
- | |
And some I call my friends and make believe | A2 |
Their spirits grieve | A2 |
Brood and rejoice with mine | B2 |
I talk to them in phrases quaint and fine | B2 |
Over the wine | B2 |
- | |
I tell them all my secrets touch their hands | C2 |
One understands | C2 |
Perhaps How hard he tries | D2 |
To speak And yet those glorious mild eyes | D2 |
His best replies | D2 |
- | |
I even have my cronies one or two | F |
My cherished few | F |
But ah they do not stay | M |
For the sun fades them and they pass away | M |
As I grow gray | M |
- | |
Yet while they last how actual they seem | E2 |
Their faces beam | E2 |
I give them all their names | F2 |
Bertram and Gilbert Louis Frank and James | F2 |
Each with his aims | F2 |
One thinks he is a poet and writes verse | G2 |
His friends rehearse | G2 |
Another is full of law | H2 |
A third sees pictures which his hand can draw | H2 |
Without a flaw | H2 |
- | |
Strangest of all they never rest Day long | I2 |
They shift and throng | I2 |
Moved by invisible will | P |
Like a great breath which puffs across my sill | P |
And then is still | P |
- | |
It shakes my lovely manikins on the wall | J2 |
Squall after squall | J2 |
Gust upon crowding gust | M |
It sweeps them willy nilly like blown dust | M |
With glory or lust | M |
- | |
It is the world ghost the time spirit come | K2 |
None knows where from | K2 |
The viewless draughty tide | M |
And wash of being I hear it yaw and glide | M |
And then subside | M |
- | |
Along these ghostly corridors and halls | L2 |
Like faint footfalls | L2 |
The hangings stir in the air | D |
And when I start and challenge Who goes there | D |
It answers Where | D |
- | |
The wail and sob and moan of the sea's dirge | M2 |
Its plangor and surge | M2 |
The awful biting sough | F |
Of drifted snows along some arctic bluff | F |
That veer and luff | F |
- | |
And have the vacant boding human cry | W |
As they go by | W |
Is it a banished soul | I |
Dredging the dark like a distracted mole | I |
Under a knoll | I |
- | |
Like some invisible henchman old and gray | M |
Day after day | M |
I hear it come and go | N2 |
With stealthy swift unmeaning to and fro | N2 |
Muttering low | N2 |
- | |
Ceaseless and daft and terrible and blind | M |
Like a lost mind | M |
I often chill with fear | D |
When I bethink me What if it should peer | D |
At my shoulder here | D |
- | |
Perchance he drives the merry go round whose track | L |
Is the zodiac | L |
His name is No man's friend | M |
And his gabbling parrot talk has neither trend | M |
Beginning nor end | M |
- | |
A prince of madness too I'd cry A rat | M |
And lunge thereat | M |
Let out at one swift thrust | M |
The cunning arch delusion of the dust | M |
I so mistrust | M |
- | |
But that I fear I should disclose a face | L2 |
Wearing the trace | L2 |
Of my own human guise | L2 |
Piteous unharmful loving sad and wise | L2 |
With the speaking eyes | L2 |
- | |
I would the house were rid of his grim pranks | L2 |
Moaning from banks | L2 |
Of pine trees in the moon | O2 |
Startling the silence like a demoniac loon | O2 |
At dead of noon | O2 |
- | |
Or whispering his fool talk to the leaves | L2 |
About my eaves | L2 |
And yet how can I know | N2 |
'T is not a happy Ariel masking so | N2 |
In mocking woe | N2 |
- | |
Then with a little broken laugh I say | M |
Snatching away | M |
The curtain where he grinned | M |
My feverish sight thought like a sin unsinned | M |
Only the wind | M |
- | |
Yet often too he steals so softly by | W |
With half a sigh | W |
I deem he must be mild | M |
Fair as a woman gentle as a child | M |
And forest wild | M |
- | |
Passing the door where an old wind harp swings | L2 |
With its five strings | L2 |
Contrived long years ago | N2 |
By my first predecessor bent to show | N2 |
His handcraft so | N2 |
- | |
He lays his fingers on the olian wire | D |
As a core of fire | D |
Is laid upon the blast | M |
To kindle and glow and fill the purple vast | M |
Of dark at last | M |
- | |
Weird wise and low piercing and keen and glad | M |
Or dim and sad | M |
As a forgotten strain | P2 |
Born when the broken legions of the rain | P2 |
Swept through the plain | P2 |
- | |
He plays like some dread veiled mysteriarch | N2 |
Lighting the dark | Q2 |
Bidding the spring grow warm | R2 |
The gendering merge and loosing of spirit in form | R2 |
Peace out of storm | R2 |
- | |
For music is the sacrament of love | F |
He broods above | F |
The virgin silence till | P |
She yields for rapture shuddering yearning still | P |
To his sweet will | P |
- | |
I hear him sing Your harp is like a mesh | N2 |
Woven of flesh | N2 |
And spread within the shoal | P |
Of life where runs the tide race of the soul | P |
In my control | P |
- | |
Though my wild way may ruin what it bends | L2 |
It makes amends | L2 |
To the frail downy clocks | L2 |
Telling their seed a secret that unlocks | L2 |
The granite rocks | L2 |
- | |
The womb of silence to the crave sound | M |
Is heaven unfound | M |
Till I to soothe and slake | Q2 |
Being's most utter and imperious ache | N2 |
Bid rhythm awake | N2 |
- | |
If with such agonies of bliss my kin | S2 |
I enter in | S2 |
Your prison house of sense | L2 |
With what a joyous freed intelligence | L2 |
I shall go hence | L2 |
- | |
I need no more to guess the weaver's name | T2 |
Nor ask his aim | T2 |
Who hung each hall and room | U2 |
With swarthy tinged vermilion upon gloom | U2 |
I know that loom | U2 |
- | |
Give me a little space and time enough | F |
From ravelings rough | F |
I could revive reweave | F |
A fabric of beauty art might well believe | F |
Were past retrieve | F |
- | |
O men and women in that rich design | B2 |
Sleep soft sun fine | B2 |
Dew tenuous and free | D |
A tone of the infinite wind themes of the sea | D |
Borne in to me | D |
- | |
Reveals how you were woven to the might | M |
Of shadow and light | M |
You are the dream of One | V2 |
Who loves to haunt and yet appears to shun | V2 |
My door in the sun | V2 |
- | |
As the white roving sea tern fleck and skim | V |
The morning's rim | V |
Or the dark thrushes clear | D |
Their flutes of music leisurely and sheer | D |
Then hush to hear | D |
- | |
I know him when the last red brands of day | M |
Smoulder away | M |
And when the vernal showers | L2 |
Bring back the heart to all my valley flowers | L2 |
In the soft hours | L2 |
- | |
O hand of mine and brain of mine be yours | L2 |
While time endures | L2 |
To acquiesce and learn | W2 |
For what we best may dare and drudge and yearn | W2 |
Let soul discern | W2 |
- | |
So fellows we shall reach the gusty gate | M |
Early or late | M |
And part without remorse | L2 |
A cadence dying down unto its source | L2 |
In music's course | L2 |
- | |
You to the perfect rhythms of flowers and birds | L2 |
Colors and words | L2 |
The heart beats of the earth | X2 |
To be remoulded always of one worth | X2 |
From birth to birth | X2 |
- | |
I to the broken rhythm of thought and man | Y2 |
The sweep and span | Y2 |
Of memory and hope | Z2 |
About the orbit where they still must grope | Z2 |
For wider scope | Z2 |
- | |
To be through thousand springs restored renewed | M |
With love imbrued | M |
With increments of will | P |
Made strong perceiving unattainment still | P |
From each new skill | P |
- | |
Always the flawless beauty always the chord | M |
Of the Overword | M |
Dominant pleading sure | D |
No truth too small to save and make endure | D |
No good too poor | D |
- | |
And since no mortal can at last disdain | P2 |
That sweet refrain | P2 |
But lets go strife and care | D |
Borne like a strain of bird notes on the air | D |
The wind knows where | D |
- | |
Some quiet April evening soft and strange | A3 |
When comes the change | A3 |
No spirit can deplore | D |
I shall be one with all I was before | D |
In death once more | D |
Bliss Carman (william)
(1)
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