The Passing Poem Rhyme Scheme and Analysis
Rhyme Scheme: ABCB DDED EFDF GDHD IDJD KLIL JFMF DNDN OPD DDND DQRQ NST TDUD TPD VJHW QDDD DXDX YDZD DA2B2A2 DFUF C2DD2D DWE2J F2F2C2F2 F2G2DG2 WDDD F2H2I2H2 TJ2F2J2 C2K2L2K2 DDND DNTN UHM2H NDH2D NDUD D2H2DH2 C2DDD D2G2C2G2 F2LD UDDD C2DD2DIt was the hour of dawn | A |
When the heart beats thin and small | B |
The window glimmered grey | C |
Framed in a shadow wall | B |
- | |
And in the cold sad light | D |
Of the early morningtide | D |
The dear dead girl came back | E |
And stood by his bedside | D |
- | |
The girl he lost came back | E |
He saw her flowing hair | F |
It flickered and it waved | D |
Like a breath in frosty air | F |
- | |
As in a steamy glass | G |
Her face was dim and blurred | D |
Her voice was sweet and thin | H |
Like the calling of a bird | D |
- | |
'You said that you would come | I |
You promised not to stay | D |
And I have waited here | J |
To help you on the way | D |
- | |
'I have waited on | K |
But still you bide below | L |
You said that you would come | I |
And oh I want you so | L |
- | |
'For half my soul is here | J |
And half my soul is there | F |
When you are on the earth | M |
And I am in the air | F |
- | |
'But on your dressing stand | D |
There lies a triple key | N |
Unlock the little gate | D |
Which fences you from me | N |
- | |
'Just one little pang | O |
Just one throb of pain | P |
And then your weary head | D |
Between my breasts again ' | - |
- | |
In the dim unhomely light | D |
Of the early morningtide | D |
He took the triple key | N |
And he laid it by his side | D |
- | |
A pistol silver chased | D |
An open hunting knife | Q |
A phial of the drug | R |
Which cures the ill of life | Q |
- | |
He looked upon the three | N |
And sharply drew his breath | S |
'Now help me oh my love | T |
For I fear this cold grey death ' | - |
- | |
She bent her face above | T |
She kissed him and she smiled | D |
She soothed him as a mother | U |
May sooth a frightened child | D |
- | |
'Just that little pang love | T |
Just a throb of pain | P |
And then your weary head | D |
Between my breasts again ' | - |
- | |
He snatched the pistol up | V |
He pressed it to his ear | J |
But a sudden sound broke in | H |
And his skin was raw with fear | W |
- | |
He took the hunting knife | Q |
He tried to raise the blade | D |
It glimmered cold and white | D |
And he was sore afraid | D |
- | |
He poured the potion out | D |
But it was thick and brown | X |
His throat was sealed against it | D |
And he could not drain it down | X |
- | |
He looked to her for help | Y |
And when he looked behold | D |
His love was there before him | Z |
As in the days of old | D |
- | |
He saw the drooping head | D |
He saw the gentle eyes | A2 |
He saw the same shy grace of hers | B2 |
He had been wont to prize | A2 |
- | |
She pointed and she smiled | D |
And lo he was aware | F |
Of a half lit bedroom chamber | U |
And a silent figure there | F |
- | |
A silent figure lying | C2 |
A sprawl upon a bed | D |
With a silver mounted pistol | D2 |
Still clotted to his head | D |
- | |
And as he downward gazed | D |
Her voice came full and clear | W |
The homely tender voice | E2 |
Which he had loved to hear | J |
- | |
'The key is very certain | F2 |
The door is sealed to none | F2 |
You did it oh my darling | C2 |
And you never knew it done | F2 |
- | |
'When the net was broken | F2 |
You thought you felt its mesh | G2 |
You carried to the spirit | D |
The troubles of the flesh | G2 |
- | |
'And are you trembling still dear | W |
Then let me take your hand | D |
And I will lead you outward | D |
To a sweet and restful land | D |
- | |
'You know how once in London | F2 |
I put my griefs on you | H2 |
But I can carry yours now | I2 |
Most sweet it is to do | H2 |
- | |
'Most sweet it is to do love | T |
And very sweet to plan | J2 |
How I the helpless woman | F2 |
Can help the helpful man | J2 |
- | |
'But let me see you smiling | C2 |
With the smile I know so well | K2 |
Forget the world of shadows | L2 |
And the empty broken shell | K2 |
- | |
'It is the worn out garment | D |
In which you tore a rent | D |
You tossed it down and carelessly | N |
Upon your way you went | D |
- | |
'It is not YOU my sweetheart | D |
For you are here with me | N |
That frame was but the promise of | T |
The thing that was to be | N |
- | |
'A tuning of the choir | U |
Ere the harmonies begin | H |
And yet it is the image | M2 |
Of the subtle thing within | H |
- | |
'There's not a trick of body | N |
There's not a trait of mind | D |
But you bring it over with you | H2 |
Ethereal refined | D |
- | |
'But still the same for surely | N |
If we alter as we die | D |
You would be you no longer | U |
And I would not be I | D |
- | |
'I might be an angel | D2 |
But not the girl you knew | H2 |
You might be immaculate | D |
But that would not be you | H2 |
- | |
'And now I see you smiling | C2 |
So darling take my hand | D |
And I will lead you outward | D |
To a sweet and pleasant land | D |
- | |
- | |
'Where thought is clear and nimble | D2 |
Where life is pure and fresh | G2 |
Where the soul comes back rejoicing | C2 |
From the mud bath of the flesh | G2 |
- | |
'But still that soul is human | F2 |
With human ways and so | L |
I love my love in spirit | D |
As I loved him long ago ' | - |
- | |
So with hands together | U |
And fingers twining tight | D |
The two dead lovers drifted | D |
In the golden morning light | D |
- | |
But a grey haired man was lying | C2 |
Beneath them on a bed | D |
With a silver mounted pistol | D2 |
Still clotted to his head | D |
Arthur Conan Doyle
(1)
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