To Tintoretto In Venice Poem Rhyme Scheme and Analysis

Rhyme Scheme: A B CDCD EFEE GEHE ECEC EIEI EEEE JEJE

The Art of Painting had in the Primitive years looked with the light not towards it Before Tintoretto's date however many painters practised shadows and lights and turned more or less sunwards but he set the figure between himself and a full sun His work is to be known in Venice by the splendid trick of an occluded sun and a shadow thrown straight at the spectatorA
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Tintoretto's thronged Procession to Calvary and his Crucifixion incidentally named are two of the greatest of his multitude of works in VeniceB
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Master thy enterpriseC
Magnificent magnanimous was well doneD
Which seized the head of Art and turned her eyesC
The simpleton and made her front the sunD
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Long had she sat contentE
Her young unlessoned back to a morning gayF
To a solemn noon to a cloudy firmamentE
And looked upon a world in gentle dayE
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But thy imperial callG
Bade her to stand with thee and breast the lightE
And therefore face the shadows mysticalH
Sombre translucent vestiges of nightE
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Yet glories of the dayE
Eagle we know thee by thy undaunted eyesC
Sky ward and by thy glooms we blow thy wayE
Ambiguous and those halo misted dyesC
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Thou Cloud the bridegroom's friendE
The bridegroom sun Master we know thy signI
A mystery of hues world without endE
And hide and seek of gamesome and divineI
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Shade of the noble headE
Cast hitherward upon the noble breastE
Human solemnities thrice hallow dE
The haste to Calvary the Cross at restE
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Look sunward Angel thenJ
Carry the fortress heavens by that handE
Still be the interpreter of suns to menJ
And shadow us O thou Tower for thou shalt standE

Alice Christiana Gertrude Thompson Meynell



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About To Tintoretto In Venice

To Tintoretto In Venice is a poem by Alice Christiana Gertrude Thompson Meynell. This page includes the poem text, poet information, related topics, comments, and similar poems.



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