Ani Difranco

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God forbid you be an ugly girl, 'course too pretty is also your doom, 'cause everyone harbors a secret hatred for the prettiest girl in the room.
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A lot of women these days, a lot of young women don't want to call themselves feminists. You have this cheap, hideous 'girl power' sort of fad, which I think is pretty benign at best, but at worst, I think it's a way of taking the politics out of feminism and making it some kind of fashion.
Love is a piano dropped from a fourth story window, and you were in the wrong place at the wrong time.
I know there is strength in the differences between us. I know there is comfort where we overlap.
Patriarchy is like the elephant in the room that we don't talk about, but how could it not affect the planet radically when it's the superstructure of human society.
Why do you think I write these feminist songs, to try and teach myself to respect myself. You know, it's not because I'm a hero.
Pop stardom is not very compelling. I'm much more interested in a relationship between performer and audience that is of equals. I came up through folk music, and there's no pomp and circumstance to the performance. There's no, like, 'I'll be the rock star, you be the adulating fan.'
A lot of women these days, a lot of young women don't want to call themselves feminists. You have this cheap, hideous 'girl power' sort of fad, which I think is pretty benign at best, but at worst, I think it's a way of taking the politics out of feminism and making it some kind of fashion.
A lot of women these days, a lot of young women don't want to call themselves feminists. You have this cheap, hideous 'girl power' sort of fad, which I think is pretty benign at best, but at worst, I think it's a way of taking the politics out of feminism and making it some kind of fashion.
Sometimes the beauty is easy. Sometimes you don't have to try at all. Sometimes you can hear the wind blow in a handshake. Sometimes there's poetry written right on the bathroom wall.
Pop stardom is not very compelling. I'm much more interested in a relationship between performer and audience that is of equals. I came up through folk music, and there's no pomp and circumstance to the performance. There's no, like, 'I'll be the rock star, you be the adulating fan.'
I've been trying to learn how to not be so conflicted about things like my own anger. I've always had a place in my music for my anger as a way of compensating for not having a mechanism to express it in my everyday life. So I've been trying to be more true to myself, and that helps me to chill out a little bit. But politically, uh-uh. No.

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