Back To December

He booked the rain for Christmas Day.



It arrived late
typical.
Even prophecies struggle with Ghana-man-time.
December cleared its throat in protest.
Harmattan had already clocked in:
dry, dusty, dependable.
But rain showed up anyway,
uninvited,
like a guest who refuses to leave,
“God sent me.”
Now everyone is a meteorologist.
Everyone’s a theologian.
The sky sneezes and Twitter screams,
“CONFIRMATION!”
At Rapperholic, the script changed.
God reveals to redeem.
Ah yes
the spiritual “terms and conditions.”
Because when nothing happens,
it’s some form of mercy.
When something happens,
it’s prophecy.
When anything happens at all,
God was involved somehow.
The rain itself is confused.
It falls in small doses
trial version rain.
Not enough to drown anyone,
just enough to say
“Don’t relax yet.”
Is this begining of the end being foretold
or the end of common sense?
Here, an ark can mean anything.
Today it is salvation.
Tomorrow it is content.
Next week it is a business opportunity.
Faith is flexible, it bends to fit the narrative
and never breaks accountability.
The inconsistencies don’t prove a lie.
They prove something funnier, no one really knows,
but everyone is pretending they do.
So, the rain falls in December,
the clouds plead the fifth,
and we stand in harmattan,
wet, suspicious,
laughing nervously
while calling coincidence
a sign.


Poems From The Graves

S Kojo Frimpong
(C) All Rights Reserved. Poem Submitted on 12/31/2025

Poet's note: This poem is inspired by the widely publicized prophecy of a Ghanaian social media figure, Ebo Noah, who claimed that God revealed to him that a catastrophic flood would begin on December 25, 2025, echoing the biblical story of Noah’s Ark. In response, he built wooden arks and urged followers to seek refuge, while the prophecy went viral on social media, eliciting diverse reactions ranging from belief to skepticism and satire. The poem reflects this event metaphorically, using rain on Christmas Day as a symbol for the anticipated flood and exploring human responses to claimed divine warnings. It highlights how ordinary events are often interpreted as signs, how faith and prophecy are fluidly constructed to fit narratives, and how society oscillates between reverence, humor, and incredulity. Through irony, satire, and vivid imagery, the poem captures the tension between expectation, reality, and the human tendency to find meaning in the unpredictable, mirroring the social and cultural discourse surrounding Ebo Noah’s prophecy.
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