I think it's naive to pray for world peace if we're not going to change the form in which we live.

• Now having said that, I realize that releasing a film in the real world is like trying to get General Motors to release a handmade car.
• I think it's naive to pray for world peace if we're not going to change the form in which we live.
• So to hope to be able to have peace, to be able to have justice and environmental balance, are consequences of our behavior, not just our intentions.
• It is very easy to make clear what you want a film to say, but I did not wish to engage in overt propaganda, even for the right cause. I wanted to create an experience through the films, something where people could have the freedom of their own response to them.
• It is very easy to make clear what you want a film to say, but I did not wish to engage in overt propaganda, even for the right cause. I wanted to create an experience through the films, something where people could have the freedom of their own response to them.
• Mystery is gone to the certainty of technological principles. So the real terror, the real aggression against life comes in the form of the pursuit of our technological happiness.
• I think it's naive to pray for world peace if we're not going to change the form in which we live.
• All tools have intrinsic politics and technology is the tool of now.
• But in fact if you look at film as a metaphor, only through the negative can you have the positive print. What I'm trying to get to is the positive value of negation.
• Having been an educator for so many years I know that all a good teacher can do is set a context, raise questions or enter into a kind of a dialogic relationship with their students.