What I do as best I can is out of a deep respect for children, for how difficult their world is.

• I want to be alone and work until the day my heads hits the drawing table and I'm dead. Kaput. I feel very much like I want to be with my brother and sister again. They're nowhere. I know they're nowhere and they don't exist, but if nowhere means that's where they are, that's where I want to be.
• In plain terms, a child is a complicated creature who can drive you crazy. There's a cruelty to childhood, there's an anger.
• I think people should be given a test much like driver's tests as to whether they're capable of being parents! It's an art form. I talk a lot. And I think a lot. And I draw a lot. But never in a million years would I have been a parent. That's just work that's too hard.
• Childhood is a tricky business. Usually, something goes wrong.
• Most children - I know I did when I was a kid - fantasize another set of parents. Or fantasize no parents. They don't tell their real parents about that - you don't want to tell Mom and Dad. Kids lead a very private life. And I was a typical child, I think. I was a liar.
• Most children - I know I did when I was a kid - fantasize another set of parents. Or fantasize no parents. They don't tell their real parents about that - you don't want to tell Mom and Dad.
• As a kid, all I thought about was death. But you can't tell your parents that.
• When I did 'Bumble-ardy,' I was so intensely aware of death. Eugene, my friend and partner, was dying here in the house when I did 'Bumble-ardy'. I did 'Bumble-ardy' to save myself. I did not want to die with him. I wanted to live, as any human being does.
• I'm not afraid of death.
• The distinctions of fine art bore me to death.